One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. Nonetheless, Chopin still admired Field and his work and continued to take inspiration throughout his life.Ĭhopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. Upon meeting Chopin and hearing his nocturnes in 1832, Field is said to have described the composer as a 'sickroom talent'. While Chopin held Field in high respect and considered him one of his primary influences, Field had a rather negative view of Chopin's work. The composer Friedrich Kalkbrenner, one of Chopin's early influences, once inquired as to whether Chopin was a student of Field. In his youth, Chopin was often told that he sounded like Field, who in turn was later described as sounding 'Chopinesque'. Chopin had composed five of his nocturnes before meeting Field for the first time. Eventually, the young Chopin became a great admirer of Field, taking some influence from the Irish composer's playing and composing technique. Number 21 was not originally entitled 'nocturne' at all, but since its publication in 1938 as such, it is generally included with publications and recordings of the set.īy the time of Chopin's birth in 1810, John Field was already an accomplished composer. However, numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland, but published posthumously. Ĭhopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field.

They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. 48įrédéric Chopin wrote 21 nocturnes for solo piano between 18. Musical work Cover page of Chopin's Nocturnes Op.

Chopin nocturne b flat minor