With source tape, you no longer have to waste time hunting through bins to find the clip you need. Today, finding the right clip in a bin with hundreds of files is slow. And, sometimes, it means borrowing the things that were great about the past and bringing them into the future!īack in the days of tape, finding a clip was easy because you could just spool up and down the tape to see your media and select shots. The cut page isn’t about simplification, it’s about removing the things you don’t need and building powerful, professional tools that help you work more quickly. Two modern features that are rooted in the past. The cut page challenges the traditional way of working with innovative, yet familiar concepts such as source tape mode and an A/B trim tool. While the interfaces may differ from system to system, the core concepts and workflows have remained the same. Non-linear editing on a computer hasn’t really changed in years. Whether you’re delivering for broadcast or for YouTube, the cut page has everything you need to get the job done, all in one place! The cut page lets you import, edit, trim, add transitions, titles, automatically match color, mix audio and more.

It’s an alternate edit page with a streamlined interface and revolutionary new tools that will help you work faster than ever. Designed specifically for editors working on commercials, news and other short form, quick turn around projects, the cut page is all about speed.

When you need to work fast and you’re on a tight deadline, you need to use the cut page. I am very glad to see DaVinci Resolve joining those programs that support it. I have published several past articles about the multiple LUFS audio loudness standards and its incorporation in audio software from Adobe, Auphonic, Hindenburg and Izotope.

At NAB 2019, Blackmagic announced many new features to its DaVinci Resolve 16 editing/grading, including LUFS audio loudness standards and also linear video type features.

Luts for davinci resolve 16